Sense and Sensibility (The one with Hugh Grant and Emma Thompson) excellent dialogue, wrenching stories about un-available love, stunning scenery.
Goodnight Mr. Tom—a very touching story about a young orphan, during WWII, that was sent along with other children, to live in the countryside with with strangers, to keep them safe during the war. A real tear jerker, but not sickly sweet. Very realistic portrayal of the times.
Rear Window—classic Alfred Hitchcock. Witty dialogue, smoldering (yet subdued) romance, intriguing drama. Starring James Stewart and Grace Kelly.
The Young Sherlock Holmes. An interesting take involving a “what if” they showed the life of Sherlock Holmes during his formative years at school with a young soon to become Dr. Watson. A young actor named Nicholas Rowe plays Holmes. Great dialogue, great visuals, interesting mystery, great scenes showing how Sherlock Homes may have come to be how he is.
Lost in Translation. Bittersweet romance between an older man and a younger woman. Two very unlikely people meet and fall in love, but it’s mostly about the stolen looks they give each other that make you think and wonder in your own head about how they are feeling. Very romantic, but simmering under the radar. Great visuals of a high end Japanese hotel.
Bleak House (mini series with Gillian Andersen) this is an excellent version of the Charles Dickens book with lots of twists and turns and intrigue and bittersweet un-requited love and marvelous cinematography.
Young Frankenstein. Extremely funny movie with dialogue that you are sure to repeat over and over again. Great “film noir” stylings, excellent ensemble cast: Gene Wilder, Madeline Kahn, Peter Boyle, Marty Feldman, Cloris Leachman, Terri Garr.
Shall We Dance (the original Japanese version). Very funny dialogue, painfully realistic look at one man’s love for a woman he can’t be with (for all sorts of reasons) and the trouble he goes to to try to be with her anyway. Great ballroom dancing lessons scenes and ballroom competition scenes. Has a happy ending, but not in the way you might have expected.