I’m trying to think about this issue alongside something else I’ve got my eye on in a nearby area: the University of Nevada at Las Vegas, which has its own budget issues, has decided to completely eliminate its philosophy department. In response, both faculty members from other departments and philosophers from other universities have called on the school to forgo such “vertical cuts” in favor of more “horizontal cuts.” Yes, the department will have to cut down—even eliminate some faculty members. But surely we can save the department itself.
The most obvious solution, it seems to me, is to stop funding their two emeritus professors and at least one of their two visiting professors. The former are technically retired anyway, and the latter positions are explicitly temporary. This is a little painful to me, since one of the emeritus professors was an inspiration to me as an undergrad. He was willing to respond to my e-mails even though I was on the other side of the country and not at all his responsibility. But that’s how it goes sometimes.
Similarly, I support the National Endowment for the Arts and do not wish to see it cut completely. Yet I cannot see how we justify leaving it at its current spending level. There also seems to be an equally obvious solution as in the first case: stop giving “convenience grants.” Not everyone who receives funds from the NEA is an independent artist. Many of them are also professors in academic departments or otherwise employed. When I was still a music student, two of my professors received NEA grants. That was great for them, and I’m glad they got the money. But they could have lived without it, and they can live without it now.
It seems worthwhile, then, to look at how much money went to independent artists last year and try putting only that much into the NEA’s budget for the coming year (plus administrative costs, though some of that will need to be cut as well). Again, this takes money from people I know and like. Several of my family members are musicians who routinely apply for NEA grants. But they’ll survive without it, even if with a bit more difficulty, whereas many independent artists wouldn’t.
These are deep horizontal cuts, for sure. And yes, I’d love to see the government supporting the arts. But like @iamthemob said: not right now. At least, not at that high funding level right now. Reid’s argument isn’t bad because he’s worried about tourism or a particular town. It’s bad because we need to compromise to avoid vertical cuts and everyone who receives a grant from the NEA has the same sort of moving tale to tell. If there’s really an argument for saving this particular festival over others, maybe it will survive even the deep cuts I am suggesting. Maybe it will survive anyway (especially if the money is mostly to support the festival rather than run it). But if no one allows anything in their state to get cut, we’ll never get anywhere.
And I don’t think Reid is cracking. He’s just playing the same stupid game as everyone else.