How can I rebind an old, crumbling book without destroying the pages and also without making it too tight to lie flat?
Asked by
Jeruba (
56107)
July 12th, 2011
I have just come into possession of two songbooks that were in the keeping of my late mother for nearly 70 years. They were published in 1933, they were probably cheaply made in the first place, and they have seen a lot of wear.
They’re assembled in 16 signatures, 256 pages altogether, and then stitched with two large staples that go through all the pages close to the spine. Over that a paper cover was glued; the cover has mostly come undone with time, and someone has mended it with heavy cloth tape.
The books never did lie flat. They were meant for choral singing, and the singers had two hands free to hold them. But I don’t sing; I played from them on the piano when I was a girl, and holding them open while playing was a problem—even more so now that they’re so fragile. I propped a book on each side, but they still tended to fall shut, and of course turning pages smoothly while playing was impossible.
Is there any way that I can salvage and protect these books now that they’re mine—and also, maybe for the first time, have them bound in such a way that they will stay open on the piano?
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7 Answers
Umm… I’m not sure how to do that to the book itself and hope someone else can make a good suggestion for that- but… what I’m wondering is if one option is keeping that book as it is- since the history is so clear and present, but have the pages carefully copied then bound into a plastic ring spine music book of your own?
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@linguaphile I think the copy with spiral spine is brilliant !
Sounds like the originals are too fragile to change the nature of their binding, and if you used them flat they could deteriorate fast.
There is a form of binding called coptic binding that leaves the spine open, allowing the book to lie flat. The cording used can be brightly colored or mixed for visual interest. My daughter rebound some books in this style, and it is a pleasure to handle them because they’re so relaxed in the hand.
This style has to be hand sewn, so you’d have to locate an artisan bookbinder. It would also depend on being able to unbind the present cover while leaving the folds of the signatures intact. Since they’re stapled rather than sewn or glued, that might be feasible.
There are numerous ways to approach your requirements. Much depends on if you want to actually restore the originals, or simply save them in the state they are currently in, albeit with the ability for regular use but without further deterioration.
Also, is this something you want a professional to do, or are you looking for a DIY project?
Best scenario, I recommend a Swiss Perfect Bind with PUR Adhesive. You can’t do this unless you have the machinery to properly activate PUR Adhesive. You’ll also need to chop your text block stitch away permanently, shortening the pages ¼”.
For DIY, do the same, simply chop the text block (a copy shop job). Sand down the freshly cut edge to give it a slight roughness, and slather a glop of pH Neutral PVA Adhesive down the spine. Quickly place a soft, thin fabric wrap around the freshly glued spine. Let dry for a couple of days untouched… yes days. Lay the spine and glue area it over a counter top so they don’t touch anything during drying time. Any weight block, (like another book) placed on top should not cover the drying glue spine lest it stick to the block. Let the spine hang over the counter top with the top weight parallel to the counter top, glued spine sticking out with only the fabric wrap showing.
After drying, you can mount any soft or hard cover to the fabric wrap. You can even to the Swiss Cover, if you can make one, which isn’t hard, just detailed.
Covers should never be attached to the spine of a Perfect Bound book, neither PUR or PVA. Attach covers to the top and bottom pages, or fabric, and this will allow the spine to open perfectly flat. The modern adhesives allow for stretching between open pages. The PUR adhesives can also be repaired.
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Another solution would be to mount every page on a new acid free sheet. Then you have a larger book where fingers won’t touch the originals when turning pages. Good Luck!
I would look for a professional book binder and see what they suggest.
Thanks for all suggestions. I’m trying to gain some idea of the scope of the options before I seek out a professional or a particular solution.
The copying option occurred to me initially, but the problem is that it would require flattening the book far more than use has ever flattened it, to avoid distorting the page content. May as well dismantle the book, in that case.
The signatures do still appear to be intact, so the coptic binding method might work. I’d never heard of that—very interesting suggestion.
I should have mentioned that the staples are positioned about 3/16” from the edge of the page, and the margin between them and the print is negligible. There isn’t a quarter of an inch to spare. As I said, cheap in the first place.
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