My parents can’t carry a tune, but when I was 8 years old, my father started taking recorder lessons. He actually made it sound good, and soon us kids were trying to play, too. In 4th grade, they brought someone from the instrument vendor in to demonstrate all the instruments. When I heard the trumpet, I didn’t need to hear any more. That was me.
In a way, it’s a strange choice for me, because I am not an “out front” kind of guy. I’m more a Miles Davis—a person who would prefer to play with his back to the audience. The audience scares me and changes the way I play and I just don’t want to think about them when I play. I’d rather just be into the music.
But in the band and the orchestra, unless you have a singer, and even if you do have one sometimes, the trumpet is the guy who cracks the jokes and plays out front. This is not a personality that I fit in naturally, but I have learned how to do it in theory, even if I’m not comfortable doing it. What I need to believe is that people love me to start off with. I can’t make them love me, but I can play into their love, if they have it.
After college, I stopped playing, although the horn was always there in my heart. I needed people to play with, but I didn’t have any. Maybe fifteen years later, I started dancing and for several years I danced in this dance workshop that had live music. Then I got in a car accident and hurt my back, and I couldn’t dance. So I started drumming with the band (I’d been studying djembe for a couple of years), and then, since my chiropractor had gotten me back into my trumpet, I started playing trumpet.
Since then, I’ve added a flugelhorn, dijeridu, piano and harmonica. Together with guitar (I learned in college) and recorder (I’ve been playing all along) and voice (as an instrument, not to sing songs), I use six instruments regularly, and can manage a bit of harmonic structure when necessary.
Music and dance helped save my life. They are reliable methods for getting out of my head and into my body, or other non-linguistic spaces. Getting out of my head is probably one of the most important things I do. If I stayed there all the time, I’d probably be dead. It is not a pleasant place.
But being out there in the ether, connected with the people near me and with the space and environment around me, I feel whole and complete and in a world where I don’t matter and am not relevant. It is bliss and when I was sick, it offered me a few of the moments when I felt like I wasn’t worthless that I needed so much.
My children have both been learning piano since age 4. I do this because I wish my parents had made me learn piano. I would understand so much more theory if they had. My daughter kept up lessons for maybe 8 years, but quit when she went to high school. She still composes at the piano, but I am disappointed she quit. Perhaps she will take lessons again some day.
My son is much stronger at the piano. He’s 11 now, and is developing a repertoire of fairly serious pieces. Both children can carry a tune, and both laugh, along with me, whenever my parents attempt to sing happy birthday. Seriously, you could not be more out of tune if you were trying to do it. Which goes to show that music isn’t in the genes. It’s in the mind and the childhood.
And also in the adulthood. I know of several groups that offer music training to people with “tin” ears (like my parents). They promise that anyone can learn music, and they, somehow, do it, like magic.