I’m a big fan too, love his work, even the stuff he did which is said to be less than stellar, when compared to some of his most classic works.
He’s also a big fan of Xena Warrior Princess. Just wanted to add that in there…
I’d say he’s wired though. If you watch interviews or bonus content on his work, you can tell that he does exactly what he wants. For example, the movie Deathproof. The big car chase scene at the end. He described that in car chases, too often you view the scene as an outsider. Eye bird view, from the side, whatever. He wanted the watcher to feel that they were IN the chase. So, he filmed a lot of it from inside the cars, close ups and weird angles and all. I think he succeeded greatly for that. The guy knows what he wants, and how to get it done.
He’s got his ups and his downs, but overall I love his stuff. One thing he succeeds in a lot is making you care about the characters, and making them interesting. I mean interesting. I really stick to every word they say, and they always have cool personalities. This is obviously intentional, and I don’t only see this because of the sometimes overacting that occurs in a lot of his stuff, especially the grindhouse flicks.
Inglorious Bastards probably has the most intense conversations I’ve ever seen in any movie. Whether they take themselves seriously or not, his characters are always so special.
Despite all this, and some of his stuff being banned in certain places, he does stick to the overall norm, compared to other stuff I’ve seen.
I’ve seen a lot of movies that borrow the styles and concepts that he uses, but fail miserably. A lot of his stuff is violent and goes for broke, but it’s always consistent and has a strong core. Good concepts, good ideas. And if he does make something just for shock value or over the top gore, like Hostel, he doesn’t pretend that it’s anything more than that. (although that’s more Eli Roth than Quentin Tarantino) And hell, that movie deserves more respect. It’s kind of a stupid idea, but again, kick ass characters. I actually want them to get away or fuck up the bad guys. I’m always rooting for killers and villains in movies. It’s pretty awesome that Tarantino can make me feel otherwise. Like Deathproof. Seeing that motherfucker at the end get his due was glorious. In many other cases, I’d just laugh my ass off at the killer pegging off peeps with his car.
He’s wired, because he knows what he’s doing, and his movies are fun, despite his ideas that many might, or do, find offensive or disturbing. He knows how to add his little touch in his work, instead of just making a movie for the sake of something trite. You wanna see non wired film makers, check out some of that Japanese slasher porn lol.