Since I was a late teen, my interest in Bible has been rooted not in its dogma, but of the impact of the story the dogma has had on Western Culture. Whether we like it or not, we are steeped in it (often at the point of a sword) and it affects our laws, our languages, how we interpret our history, our creative output, and therefore our daily lives. It is our mythology and it is vastly interesting to people like myself who see it that way because it is the doorway to understanding who we are as a people.
While in the library one day I saw a book, The Illustrated Guide to the Bible abandoned on a table. Normally, I wouldn’t have an interest in anything labeled so obviously biblical, but this was a coffee-table hardcover and the painting on the cover promised conscientious reproductions of work by the Renaissance artists and others on expensive gloss. I expected nothing more than droll interpretations of scripture in the text.
To my pleasant surprise, this was an most excellently well-researched book on the Bible as a cultural influence on Western Culture. The author, J. R. (Joshua Roy) Porter, Professor Emeritus of Theology at the University of Exeter, England, and a former Fellow of Oriel College, Oxford, and twenty years as a member of the General Synod of the Church of England, took the Bible, dropped the religiosity, and told the stories objectively within their historical and geographical context, never insisting that the less documented ones were anything more than contextual moral tales of the times. The more documented ones, however, like the struggle among the Greek occupation forces and Jewish liberation, which comes to us in the Bible as the War of the Maccabees, is explained most expertly in historic context. I was so impressed with this book, I went out at found copies of the Torah and the King James version of the Bible to use as reference while reading it.
My interest in the Bible is rooted in its immeasurable impact on Western Culture and as the basis of our two great religions—those two siblings who’ve been traditionally (and to me, inexcusably) at odds with one another—Judaism and Christianity. This intriguing book satisfied my interest with the eloquence of a modern Oxford don and the elegant illustrations of well-chosen, relevant, classical biblical art.