Non-fiction, I like historians and biographers, especially Foote, Tuchman. And primary source documents. Love digging up primary source documents. In fiction, I usually read the authors’ works in the order in which they were published. I like the early and mid-20th century the most —all the Parisian and Berlin ex-pats, especially the amazing groundbreaking women authors (Djuna Barnes, Nin, Jean Rhys), on through to the post WWII guys (Heller, Jones, Cheever, Salinger—For Esme with Love and Squalor has to be one of the best things I’ve ever read). Flannigan O’Connor. A Good Man is Hard to Find I thought was hilarious in the end when the bad guy says the old lady should’ve been shot everyday of her life. The guys who stayed home to write, like Steinbeck and Saroyan… One hit wonders like Harper Lee and her To Kill a Mockingbird and then the Beats (Ginsberg, Buroughs, Kerouc, etc.,) and post-beats like Braughtigan. Same with movies, early to mid-twentieth century directors, writers and actors. directors Hitchcock, Walsh, Ford, Wyler, Capra, Curtiz… writers Hecht, Hammett, Dorothy Parker, Anita Loos, Adela Rogers St. Johns, Olga Printzlau… actors Bogart, Stanwyck, Oberon…
I like some modern writers like Elmore Leonard who just died a couple of weeks ago. He did Freaky Deaky, Get Shorty. The first few pages of Freaky Deaky, the set-up and character development was pure art—and freaking hilarious. I can’t remember the new guys’ names. There are some good ones, though.
But mostly I read non-fiction.