Pretty Persuasion, 2005.
I’m almost always disappointed in modern movies. I don’t like sadistic shock humor, sophomoric humiliation, apparently indestructible superhuman humans plugging holes and beating on each other throughout the movie to little effect (WWF wrestlers getting extra work? Trust me, you take a bullet in the arm or leg and you won’t be crossing the city on rooftops. It’s ridiculous.), amateurish fantasy stories and flying dragons, characters imbued with magical powers to advance a plot line, vampires, vampires, and more vampires (including the obsession these directors have with explosive head shots—it’s fucking juvenile and disgusting), space aliens, blood & guts (once you’ve seen the real deal often enough—along with the screaming, shock, smell and bewilderment of people on-scene—there is no thrill in it, believe me), and sentimental story lines so sweet as to send a diabetic into shock. Remove all that from Hollywood’s annual output, and what’s left to like? I’m getting old, I guess. I like good writing and believable acting. It’s pretty simple.
A female friend brought Pretty Persuasion over on a thumb drive and we fed it through the system. In the few first minutes, I thought I’d been roped into watching some estrogen-laced, Valley Girl, coming-of-age dross and had to fight the urge to run screaming from the room. But my friend, who normally has good taste in film, urged me to keep watching and tune into the dialogue, which I had to admit was becoming mildly funny. Then came the dining room scene with James Woods as the father of the protagonist and I about died laughing. This young actress, Evan Rachel Wood was really good. Never heard of her before, but she is excellent. And James Woods was over the top as her shallow,paranoid, self-indulgent, bigoted, nutcase of a father. I started to sympathize with the intelligent daughter at this point and the plot got increasingly better. Then as the plot developed, the twists came and
Evan Rachel Wood’s character seamlessly converted from a shallow teenager with some decent qualities with slightly questionable ethics—but her heart seemed in the right place—into quite something else, quite a disturbing character. Until the end, I really didn’t know if I was watching a dark comedy, or a suspense thriller, or just a straight drama. All three, I guess. But the transitions were well done and I really liked it, especially compared with the shit fare that’s been seeping onto the screen the past few years. I’m watching for more work by this actress.