”Good-Bye to All That”, the autobiography of Robert Graves, published in 1929 when he was 34. . “The title… point(s) to the passing of an old order following the cataclysm of the First World War; the inadequacies of patriotism, the rise of atheism, feminism, socialism and pacifism, the changes to traditional married life, and not least the emergence of new styles of literary expression, are all treated in the work, bearing as they did directly on Graves’ life.
The unsentimental and frequently comic treatment of the banalities and intensities of the life of a British army officer in the First World War gave Graves fame, notoriety and financial security, but the book’s subject is also his family history, childhood, schooling and, immediately following the war, early married life; all phases bearing witness to the “particular mode of living and thinking” that constitute a poetic sensibility.” Source
. This is a good parallel read to Pat Barker’s ”Regeneration.” Overlapping cast of characters (Graves, Seigfried Sassoon, Wilfred Owens, among others). Graves was also a poet and went on to write “I, Claudius” in 1934
The Great War and Modern Memory, by Paul Fussell is another wonderful companion book to these two. “It describes the literary responses by English participants in World War I to their experiences of combat, particularly in trench warfare. The perceived futility and insanity of this conduct became, for many gifted Englishmen of their generation, a metaphor for life.
Fussell describes how the collective experience of the “Great War” was correlated with, and to some extent underlain by, an enduring shift in the aesthetic perceptions of individuals, from the tropes of Romanticism that had guided young adults before the war, to the harsher themes that came to be dominant during the war and after.” Source