Wow. Thank you everybody. All of it is good. Very good. I enjoyed reading all of them. And I always appreciate it when you leave behind some lurve, even if it rarely increases my score anymore, it does mean something. Many of my favorite flutherites showed up and it is always good to see what you’ve been looking at, reading, etc.
I think this thread is sufficiently dead now to allow me to contribute without committing some unwritten faux pas. I’d run across a couple of meaningful lines in the past few weeks and I’d supposed you all had as well, which is what gave rise to the question above.
“You have to create the quiet to be able to listen to the very faint voice of your intuition.” ~Jon Favreau
”We do not have to become heroes overnight. Just a step at a time, meeting each thing that comes up… discovering we have the strength to stare it down.” ~Eleanor Roosevelt
Lately, my favorite is the poetry found in the dialogue of Eugene O’Niell’s last plays. The following strikes home with me, it strikes deep.
Edmund: “I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself—actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way.”
Stage Direction: He silently stares down at his glass. Then, in two audible gulps, drains it. Coughs. He wipes his mouth with the back of his hand and continues…
“And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience, became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint’s vision of beatitude. Like the veil of things as they seem drawn back by an unseen hand. For a second you see, and seeing the secret, you are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on towards nowhere for no good reason.”
Stage Direction: He grins wryly. Looks down into his empty glass…
“It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a little in love with death.”
~Edmund‘s Soliloquy, Act IV, Long Day’s Journey Into Night, by Eugene O’Neill, 1940.
The political quotes above remind me of one by a much ignored president, Harry Truman. It was 1948 and he was doing whistle stop speeches from the back of a Pullman car in order to get his first elected term. When he raised his voice, he sounded just like Ross Perot. All reedy with a drawl. He was talking about his Republican opponent, backed heavily by Wall Street money, corporate money. He was talking to farmers and laborers. He was screaming at them.
“How many times? HOW MANY TIMES, FOLKS? (Whacks his own head with a rolled-up newspaper) HOW MANY TIMES DOES A FELLA HAVE TO BE BEATEN (Whack!) OVER (Whack!) THE HAID (Whack! Whack!) BEFORE HE REALIZES WHO’S DOIN’ THE BEATIN’?! (Shakes newspaper at the audience.)
He was funny when he was mad. God, we’ve had so many warnings from so many different people who knew.