I think that putting people on our paper currency and our symbols on coinage is a nice compromise, but I think the artwork could be better. Putting people we admire as a nation on our currency reflects how attitudes change and tells a story. I cite the replacement of Andrew Jackson with Harriet Tubman, which represents many things about our society, the foremost of which is the gains that have been made in civil rights.
Whereas before we honored a President that, among many other things, as a general oversaw the destruction of the Cherokee and Seminole in the Southeast US, then as president the forcible displacement and death march of the tribes from the Southeast to the “Indian Territory” which eventually became Oklahoma—now we choose to honor a heroine that helped to free yet another minority from persecution. This, in the future, is meaningful. It denotes a change of attitude. It is good to honor our people like this.
On coins, however, I personally think the best images we ever produced were symbols of our land, in particular those produced from the turn of the 20th century up to about WWII, with engravers like James Earle Fraser’s design for the Indian Head/Buffalo nickel, issued in early 1913. Today it is reproduced as a $50 piece in .9999 fine gold bullion.
Or the Saint-Gaudens’ engravings such as the double eagle $20 gold piece with an eagle in flight on the sun’s rays and a standing Liberty in flowing sheer garments holding a torch on the obverse. Today, the Saint-Gaudens Double Eagle survives as a one-ounce gold bullion $50 coin that retails for about $2,000.
His work culminated in his magnificent 1907 – 1933 Indian Head $10 gold half-eagle produced posthumously at the mint’s insistence. This particular coin design has not been produced in any form since 1933.
One of my all-time favorites is Adolph Weiman’s Walking Liberty Half Dollar silver coin. This is the most beautiful Liberty of them all, in my opinion. The design survives today as a .9999 fine one ounce, Walking Liberty one dollar .9999 fine silver bullion coin, known as the American Silver Eagle.
Then there is the 1921 Peace Dollar silver one-ounce coin a design which perfectly depicts the transition from the Edwardian Era into the Roaring Twenties, but the sentiments behind it and it’s story are remarkable. (I used this coin when I stepped my mast).
I don’t see why we can’t bring these designs back in more popular, usable denominations during these last days of coinage. I find them much more beautiful than the worn-out Jefferson State Quarters that have flooded the market in the past few years. These designs shouldn’t be too difficult to reproduce in detail with modern engraving techniques and the harder metals we use today in our coinage. I don’t see the pride, detail or beauty that was once in vogue during the fin de secle in our coinage—or our architecture, for that matter. And I don’t see why we can’t have coins like that again.