About a year ago I began downloading all the films listed on the IMDB 100 Best Film Noir. Of the ones I’d never seen or heard of, there are a few that have become my favorite films of all time and have watched repeatedly:
A Shadow of Doubt with Joseph Cotton, 1943. Amazing and twisty for such an old movie. Hitchcock, of course. Sappy ending probably slapped on to meet Hollywood Code, but still a great story.
The Lady from Shanghai with Rita Hayworth and Orson Welles, 1947. A really weird film that needs to be watched more than once to fully appreciate, especially the character of George Grisby played by Glenn Andrews. Classic, complicated, over-the-top Welles. It’s the film with the famous Fun House Mirror Scene at the end. I can’t believe I’d never heard of this one before.
Caught with Barbara Belle Geddes and Robert Ryan (King of American Noir), 1949.
Human Desire with Gloria Graham and Glen Ford, 1954. “She was born to be BAD… to be KISSED… to make TROUBLE!” Excellent noir film in spite of the cornball femme fatale description. A lot of these films were necessarily written in a subculture code to cover up such unmentionables as homosexuality (Peter Lorre’s scented calling cards and language in Maltese Falcon, 1941), S&M, Femdom, etc.—especially those taken from the books of Raymond Chandler like The Big Sleep (Bogart & Bacall with cutie-pie compulsive submissive Martha Vickers, 1946). Human Desire has obvious hints of Femdom and male masochism as does Double Indemnity (Barbara Stanwyck, 1944), Sunset Boulevard (Gloria Swanson, 1950), The Postman Always Rings Twice (Lana Turner, 1946) and The Lady from Shanghai (see above).
Pickup on South Street with Richard Widmark, Jean Peters and the great Thelma Ritter, 1953. This is one of the best noirs depicting the gritty life of the demimonde of NYC. I love this film.
Out of the Past with Robert Mitchum, Kirk Douglas, Jane Greer and Rhonda Flemming, 1947. This is full of twists, too. You’ll never guess the ending. “Danger! Corruption! Duplicitous Dames!”
One very late Noir that I’d seen when it first came out and didn’t quite understand was Chinatown with Jack Nicholson, Faye Dunaway and old John Huston, 1974. This is beautifully filmed in great LA settings rehabbed to look as they did in 1939, when the story takes place. The interior art deco decors, the broad lapels and cut of the men’s suits, the incredibly sexy dresses worn by Ms. Dunaway and other female characters are impeccable and correct. The story is as about Noir and coded as one can get—at a time when “coding” was not necessary and used to be consistent with Noir verisimilitude. The music is a seductive, haunting, slow jazz piece played throughout. Great cinematography.
The sequel, The Two Jakes (1990) takes place in the same environment after the War and it only makes sense if you’ve seen Chinatown recently before viewing this film. PI Jake Gittes, after a stint in the Marines, takes a case that brings him right back into the surreal circumstances of the first story—that he’d spent the previous fifteen years or so trying to forget. I highly recommend this underrated film, but only if you’ve seen Chinatown again within a few days.
The Mask of Dimitrios with Peter Lorre in an unusual role, Sidney Greenstreet, a coupla dames and oily, good looking Zachary Scott (1944). A great story about tracking down a spy/assassin through Europe from Istanbul through Greece, Switzerland and Paris set in 1938. In the end it is very hard to decide who the bad guy really is.