I also read the book by Burroughs, but decades before @Seek was even born, so I don’t recall details such as her exact quotes (and thanks for those). But I also don’t know enough about Burroughs himself or the “history of the story” (if there is one) to know whether he originally had a vision of the entire story arc to the castaway boy becoming an adult Lord Greystoke when the book was first plotted. Surely if he had that vision in mind as he sat to write the first pages of the story, the boy simply “had to be” white, because – racism or no – the facts of English society in the day of the story would not have permitted a black lord. That would have broken the bounds of fiction as “willing suspension of disbelief” among contemporary readers.
I recall having a sense as I read the book – or was it, in fact, more than one book? – that it was intended first as a sort of “juvenile adventure story” which then morphed into Tarzan as an adult man with his animal / jungle instincts, operating in English society. The maturing process of the boy to a man seemed to mirror, to me, the way the story itself matured from “juvenile action / adventure” to “social criticism” itself. So I often wondered what his intent was as he started to write.
I have no idea whether Burroughs was at heart a racist or bigot in that sense or any other, and if so, whether he was deliberately and in any way “viciously” so, or “thoughtlessly”. It seems to be fairly well accepted that Kipling was, in fact, a sort of “casual bigot” or chauvinist of his times – as most people are nearly always products of their times more than they are drivers of new times and new ways of regarding the world.
I’m bemused beyond my desire to express it how a novel for juveniles from over a century ago is today perceived to be “racist”, even by today’s far stricter sensibility of the topic. As I recall, race was mentioned in the book, but not in any kind of derogatory or chauvinistic way, merely as a matter of “facts on the ground” (facts of the story, that is, including the “fact” that a black English lord was not a realistic possibility of the time, and therefore impossible for the story to work).
It may be that Burroughs considered and discarded the idea of Tarzan’s father, the original Lord Greystoke (for story purposes), to marry a black African woman and have a child with her – and the mere thought of that “miscegenation” (as it was called then in legal terms) made him realize the revulsion that the book would cause among the reading public. As I said, I don’t know “the history of the story”. A modern critic could make two claims of Burroughs’ racism, if he could marshal the facts to make the case:
- Did Burroughs consider and discard the idea that Tarzan’s father could have been a single man when he went to Africa, where he met a black African woman and married her (because we don’t need to consider how many conventions he would have broken by not marrying and having a child out of wedlock), and then had a son before the parents expired together? If he could not consider such a possibility, then that could be counted as a kind of racist attitude.
- Alternatively, if he considered the idea but found the idea personally appalling, then that is certainly overt evidence of racism. Or did he write the book he did because it could be a commercial success, where Everyman in England could identify with the characters? That’s not racism; that’s commercial / artistic sensibility.
It’s perfectly fine to read the book today to make judgments about prevailing attitudes and mores of a century ago, but it seems hardly fair to make broad and stinging criticisms of the author based on nothing but supposition and a sort of unfair omniscience.