My biggest problem with horror movies is they’re not scary anymore. A good horror movie leaves you on the edge of your seat, it builds anticipation and then when it’s time to scare the crap out of you (which is the visceral thrill for which horror fans attend these movies), it doesn’t have to be over the top. The problem is that someone will get a good idea, and try a new way of achieving the desired effect, but then everyone else immitates it, and both the filmmakers and the audiences miss the point. Good horror movies were traditionally things like Psycho….not a whole lot of violence, but a LOT of suspense, and just this creepiness that permeated the movie. Then there was the Exorcist, it really made good use of suspense, and drew fear from teh idea that something could attack you from the inside, something unseen and other worldly. Then in the late 70s we got Halloween, and we really got the first slasher flick, but it was SO much more than a slasher flick. It was this idea of this unstoppable force which could get you by surprise…not really all the different from either Psycho or the Exorcist, but more visceral, different source for the horror…but the genuinely scary part of it was the suspense. In the 80s, the concept was carried forward by Jason and Freddy, and the first Friday the 13th was pretty good, on par with Halloween, just more gruesome, and the first Nightmare on Elm Street put the villain inside your own head. But that was also when sequels started…we got like a dozen Friday the 13ths and about 8 Halloweens and Nightmare on Elm Streets, and every horror movie followed that formula. But what all the sequels and all the imitators lacked was any sense of suspense…..you knew what was going to happen, it was all camp value. What happens is whatever the latest gimmick is that makes the genre seem fresh again invariably becomes a big seller, because good quality horror is hard to make and hard to find. So, someone comes up with a good idea, like they did with Saw (the first one was great, almost like Seven from the victims’ point of view), and everyone copies it, and we get Saw 6 and Hostel 2, and they miss the point. Yes, Saw pushed the envelope in terms of gore, but it also had this genuine creep factor, real suspense…but all that was stripped away in favor of just showing the money shot.
So, I don’t think it’s any different than what has ever happened. Our sensibilities these days are such that gore which would have turned off audiences in the past doesn’t shock as much (we’re desensitized to it because we’ve seen it), so when a good idea comes along, so do the copycats, but because the copycats can never make something we’ve seen “new” again, they pretty much have to stick ot the formula, which includes gore for gore’s sake. What it means to me is that audiences are simply not all the discerning, people will continue to buy this crap because the unwashed masses who go to these things just don’t get the differenence between real, visceral fear built off suspense, and “gotcha” horror where the boogedy man is coming for you. If you can make it look good, that’s good enough…it’s the same reason you can sell $200 million in tickets to a 90 minute car chase, but indie/art-house movies barely crack $20M most of the time.
Now, there is a bigger message…anyone who is really interested in the decline of our culture should read Chris Hedges’ book “Empire of Illusion: The End of Literacy and th Triumph of Spectacle”. It discusses how just like other cultures which have fallen, our culture is exhibiting the same signs of decline….people are distracted by the visceral, the spectacle, they don’t want to think, and our culture provides them with a number of opportunities to shut off the critical thinking parts of their brains and not question when say our government fails to regulate securities well enough and it bankrupts our government, while CEOs walk away with billions. Just like the Romans who enjoyed seeing live people get torn to shreds by the lions, the uncritical, unthinking masses in our culture are turned on by the pornlike spectacle of realistic looking pain and suffering. Bottom line, movies like this are a sign of a number of things…lazy filmmaking, uncritical audiences, AND the fall of our society brought on by our ability to be distracted by the wrong things.