Really? Only a couple of people have mentioned Anne Rice so far, and then almost in passing, as if her sole contribution to the genre was “Interview with the Vampire.”
Anne Rice is the person who invented the whole genre of vampire stories we are discussing here; i.e., vampire stories told from the point of view of the vampire. Before Rice, vampires were all one-dimensional monsters of incomprehensible and irredeemable evil. Rice was the first person to portray them in human terms as they resolved the problems posed by the loneliness of immortality, the morality of having to feed on humans, and the problems of falling in love with mortals.
“Interview with the Vampire” (1976) was the book that started it all, but it was just the first book in what was planned to be a five-part series. The novels which follow, branch off, telling the backstory of characters introduced in the main series. In a way, ”Interview” is kind of a prequel, which introduces Lestat, the main character of the series, and, of course, ”The Vampire Lestat.” Lestat is a darker, more tragic figure, and ultimately more compelling figure, who falls in love with Lewis out of profound loneliness. This bisexuality (if you can call it sexuality) is a hallmark of Anne Rice’s vampire novels, and is one of the reasons she has such a strong cult following, particularly among young lesbians who follow her wherever she appears.
In the “Queen of the Damned,” Rice tells the whole history of the vampires, going all the way back to early Egypt. If you ever wondered where vampires came from, this is the book for you. The movie version doesn’t tell even half the story.
The next book in the series, “The Tale of the Body Thief” won critical praise from such prestigious literary journals as “The New York Review of Books,” which elevated Anne Rice from the ranks of pulp fiction writers into the ranks of American novelists and writers of serious literature. Her genius, in this respect, was having combined two genres: the romance novel and the Gothic horror story. Her often imitated style is a combination of the steamy, florid, “bodice buster” (Oh! Mandingo!) harlequin romances that seem to interest women much the same way that pornography interests males. And the Gothic story featuring the supernatural, castles, ancient lore, an atmosphere of mystery, suspense, and high overwrought emotion. It seems a natural combination now, but she was the first person to pull it off artistically, and on a commercially viable scale.
The fifth in the Vampire Chronicle series is “Memnoch the Devil,” which tells you how vampires fit into the scheme of things angels and demons-wise. I found the book a bit anti-climactic, as no doubt many others did also, so Rice kept on writing. The sixth in the series is “The Vampire Armand” (who appears in Interview and who sacrifices himself for Lestat in “Memnoch.” There is “Blood and Gold,” the story of Marius, who was once a Roman senator, and mentor to Lestat, told in his own words. Then there are “Pandora,” “Vittorio,” “Blood Canticle,” and “Merrick,” a cross-over to Rice’s equally prolific series on the lives and loves of witches.
It’s interesting; the genre has become so successful and grown so prolific over the past 15 years that present day readers have so much to choose from that they no longer seem acquainted with the “classics,” which used to be all there was.